✨Three of my AI-gen Films selected for The Wrong Biennale ✨

This year I have the pleasure of participating in The Wrong Biennale with three recent works of AI-driven video art. For over a decade, The Wrong has stood as one of the most significant platforms for digital experimentation — a decentralized, independent network of curators, artists, and institutions that has consistently expanded our understanding of contemporary digital culture.

It’s a context I deeply value: one where experimentation is not only welcomed, but required — where artists explore the shifting tensions between technology and imagination, authorship and automation, presence and simulation. In a landscape where artificial intelligence is often framed as a threat or spectacle, The Wrong opens a space for nuance, rigor, and poetic friction.

This edition presents an enormous constellation of works and curatorial perspectives around the world, and I am honored to contribute three projects across three different pavilions:

📍 Paper World (2025)

Pavilion: Radical Dreamers
Curated by: Laura Focarazzo
View the Pavilion →

Paper World belongs to a body of work where I explore synthetic worlds shaped by memory, decay, and invented mythologies — part fairytale ruin, part speculative archive. In Radical Dreamers, it joins artists who interrogate the political and poetic stakes of algorithmic creation, examining how technology mediates our ways of seeing, resisting, and imagining futures.

📍 LOVE (2025)

Pavilion: Artificial Lines of Flight
Curated by: Isil Ezgi Celik
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Inspired by Gilles Deleuze’s concept of the ligne de fuite, LOVE is a meditation on escape — not from the world, but from predefined identities, emotional structures, and narrative expectations. Here, AI is not a tool of efficiency; it becomes a fracture line, a source of ambiguity and drift, where the human and machinic imagination collide.

📍 Hello World — The Awakening (2024)

Pavilion: META-MORPHOSIS
Curated by: Hernando Urrutia
General Direction: David Quiles Guilló
View the Pavilion →

This work forms part of an ongoing series exploring synthetic life and post-human mythology. META-MORPHOSIS brings together artists who examine digital transformation not as aesthetic novelty, but as a fundamental shift in perception — how images, narratives, and identities mutate in the algorithmic age.

These three projects mark different chapters in an evolving investigation: how to inhabit AI not as an instrument, but as a medium with its own frictions, histories, and ghosts. My practice remains rooted in the physical, the performative, and the cinematic — and AI becomes a way to stretch those gestures into new, unstable territories.

I hope you’ll explore the pavilions, discover new voices, and join this strange, beautiful conversation about the futures of art and technology.

More soon — and as always, thank you for following the journey.